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"End of the Line" (2007) overview Karen (Ilona Elkin), a young psychiatric nurse, boards the last subway train headed towards the end of the line. Suddenly it stops in the middle of the tunnel, and the nightmare begins... A group of religious cult members have finally gotten their long awaited signal that the Armageddon has started, and it is now their sacred duty to save the souls of as many people as possible. Caught in a whirlwind of murder and madness, Karen and a few survivors band together to fight the Cult members in the dark underground tunnels of the subway. But can they even trust each other? And why are they seeing terrifying supernatural occurrences? Could the Cult be right? Genre: horror, thriller Editors'
rating: Writer and director: Maurice Devereaux Producer: Maurice Devereaux. Associate producer: Adrien Morot. Original music: Martin Gauthier. Cinematography: Denis-Noel Mostert. Film editing: Maurice Devereaux. Casting: Josa Maule, Ayala Piron. Production design: Jean-Phillippe Hebert. Costume design: Julie Perrault Budget: $190,000 (estimated) Filming dates: June 1 - July 5, 2005 Runtime: 95 min. Country: Canada. Language: English. Color: Color Cast Ilona Elkin as Karen Nicolas Wright as Mike Neil Napier as Neil Emily Shelton as Julie Tim Rozon as John Joan McBride as Betty Danny Blanco Hall as Davis John Vamvas as Frankie Robin Wilcock as Patrick Kent McQuaid as Ron Robert Vézina as Jerry David Schaap as Bernie the Conductor Lori Graham as Brenda Christine Lan as Viviane Aaron Grunfeld as Tommy David L. McCallum as Reverend Hope Kyle Allatt as Derrick Nina Fillis as Sarah Michael Challenger as Janitor Nathalie Choquette as Homicidal cult member Bill Croft as Richard Robert Crooks as Tobey Denise DePass as Rosa Mariah Inger as Nurse Joanne Domenic Di Rosa as Orderly #1 Cory Fantie as Orderly #2 Brian Wrench as Chris Tod Fennell as Conrad Josée Laviolette as Susan Jonathan Robert Rondeau as Steven Nick Sita as Mr. Simonetti Jeremy Thibodeau as Rick André Nicholas Malouf as Homicidal cult member Daniel Tirado as Steven Bobo Vian as Carmen Crew Decoration: Hugues Tremblay Chief lighting technician: Michel Paul Bélisle 1st assistant camera: Mathieu-Félix Drouin Hair and makeup stylist: Therese Faniel Special makeup effects: Adrien Morot Assistant production manager: Jonathan Villeneuve Assistant director: Shaun Malley Set dresser: Hugues Tremblay Additional sound designers: Sen Fortier, Éric Pfalzgraf Sound: Tod Van Dyk Production assistant: Brendan K. Russell Very special thanks: Vince d'Amato Special thanks: John Fallon Awards year / result / award / recipient Austin Fantastic Fest 2007 / Won / Next Wave Special Jury Award / Maurice Devereaux - For innovative vision Fant-Asia Film Festival 2007 / 2nd place / Best European/North - South American Film / Maurice Devereaux © Preems.com |
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. . . . . . . . Premieres Canada - September 2007 (Toronto International Film Festival); October 14, 2008 France - January 25, 2008 (Gerardmer Film Festival) Argentina - November 1, 2008 (Buenos Aires Rojo Sangre Film Festival) United States - May 2009 (DVD premiere) France - September 11, 2009 (DVD premiere) Netherlands - September 29, 2009 (DVD premiere) Finland - October 21, 2009 (DVD premiere) Filming locations Montreal, Quebec, Canada Toronto, Ontario, Canada Companies Production Maurice Devereaux Productions >>>> Distribution Anchor Bay Entertainment / 2009, Australia, DVD Critical Mass Releasing / 2009, Canada, DVD Future Film / 2009, Finland, DVD Popron Music & Publishing / 2010, Czech Republic, Slovakia, DVD Video Film Express / 2009, Netherlands, DVD, Blu-ray Certification Australia: MA, Germany: 18, Finland: K-18, Netherlands: 16 Reviews “An original and ambitious take on the survival horror genre, it plays on modern paranoia, recasting religious extremism through the lens of slasher and zombie movies. The menacing atmosphere is aided by deft art direction and creative special effects that belie the film's minuscule budget. Reminiscent of the early works of such filmmakers as David Cronenberg, John Carpenter and Wes Craven, End of the Line shows the kind of innovation and vision that suggests bigger things are to come from writer-director Devereaux.” - Jesse Wente, Toronto International Film Festival “...It's at least twice as intelligent as most of the big budget horror films... What really sets the film apart is the eye-catching cinematography, the haunting music, and the incredible makeup and effects... When budgets are tight and filmmakers have to really push to make their ideas stand out, that's where you'll find the most creative horror stories.” - W. Andrew Powell, The Gate - Entertainment Magazine, Canada |
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